
The
Australian aboriginals, Bruce Chatwin informs us in his book Songlines,
tell stories from the Dreamtime, a time of birth and awakening, a myth
of creation, the origin of their race.
Perhaps we too, the English, have our own Dreamtime, a time from which
stems all our ingrained awareness of what we believe ourselves to be.
A golden age of eternal summer, warmth, fellowship and all the lost
elements of our social infrastructure that we secretly pine for, while
continuing along the slippery path to ruin and despair, unable to help
ourselves, and unwilling to accept responsibility for the mess we have
collectively made of our modern society.
There is a period in the history of our people, roughly definable as
between the wars, to which we constantly hark back, both in our hearts
and through the various mediums of film, print, and popular music. The
advertising industry in particular, geared as it is to finding our most
sensitive spots, offers us images of the inter-war years in which cloth-capped
youngsters wheel delivery bikes up steep, cobbled, northern streets,
happy families gather round Bakelite radios, and sentimental soldiers
croon over their beer in railway buffets that echo to the beat of steam
locomotives. The whole theme is nostalgically presented as the good
old days, when you could leave your door unlocked, a pint of beer was
tuppence-ha'penny and God still seemed to have every intention of saving
the King. Nowhere in this picture do we see the destitution, hunger
and misery that are so well documented elsewhere. If we are to accept
- and who can doubt the authority of the Admen - that this is indeed
the English Dreamtime, can we also assume that the native Australians
have been similarly selective in their folk memories?
This Dreamtime of ours is summed up for me in the railway photographs
of Ivo Peters, who spent his life at the lineside, but whose heart belonged
to our own Somerset and Dorset Joint Railway, the broken remnants of
which straddle the two counties and provide for the people of the West
Country not only a poignant reminder of the golden age of steam, shirehorses
and Wills cigarettes, but also a visible songline that will lead them,
if they only chose to follow, to the very heart of their own Cider Dreaming
Time.

lI.
Little bits of Franz and Laurie
I
am an Englishman, a fact I am neither unduly proud, nor ashamed of,
but one that I have grown comfortable with in the face of the overwhelming
denials and condemnations of many born under the same flag. Questions
arise, when travelling among the politically aware of other European
countries and from Dutch Anarchists in particular, along the lines of
"Ahh, you English! Why do you not take your soldiers from out of
Ireland?" To which a chap can only answer to the effect that he
has no soldiers of his own, but that if he did, they would most certainly
be employed more usefully in doing his laundry, or some other menial
task, than embroiling themselves in conflicts of such an emotive and
controversial nature. It is the misfortune of our current generation
to be tangled up in the last throes of a dying empire, and to be held
responsible, like our German geschwestern, for the sins of our forefathers
without having the necessary global clout to shrug off the accusations.
One day it will happen to the Americans, just as it has happened to
the Russians, and to countless other races down the ages, who were cock
of the walk for their fifteen minutes before declining and falling into
antiquity and ruin.
Our family name is Hatcher, a name that has apparently been in the West
Country for centuries, which fact gives rise to two possible interpretations
of the family's history.
Colin, who has delved into the past through a variety of different means,
claims that we are descended from one Ghilbert De Haace, a knight of
the Temple, who is recorded in a Templar census of 1123 as owning large
estates in Essex. He cites our birthplace, Templecombe - sight of a
former Templar lodge - as proof of this connection, along with a bewildering
collection of coincidences and circumstantial evidence gleaned from
books, archives and consultations with mediums. That someone, possibly
the Essex man Ghilbert, brought the name to Somerset is evident in the
many villages in the area that carry the suffix Hatch; Coney Hatch,
Nunney Hatch and others, unless the phonetic resemblance is merely coincidental,
and these settlements took their names as a result of proximity to gateways
- or hatches - in the enclosed parklands. If this is the case, the name
Hatcher could be no more illustrious than Smith, or Baker, indicating
a professional connection, in this instance as a keeper of the royal
gates.
Knights or gatekeepers? Bearers of arms or wearers of livery? This provides
a dilemma, heightened by the contrast between, on the one hand my brother's
kingly bearing, and on the other, my bow-legged, loping peasants gait.
My father, Ronald Arthur Charles Hatcher, grew up in Templecombe with
his five older sisters, in a house conveniently next door to the maternity
hospital. My German friends ask me why the British seem to choose so
many names - Father's parents were christened respectively Herbert Edward
Charles Hatcher and Violet Louisa Maud Carpenter, doubtless in deference
to both family and prevailing royalty. To a forthright people, such
dynastic concerns are merely confusing. My own siblings were variously
named after sporting personalities, Enid Blyton characters, or my eldest
sister's boyfriends. The odd family tribute crept in, but I don't believe
there is a single royal amongst us. My parents, though scarcely republican,
had few ambitions in this direction.
Herbert Edward Charles, known as Charlie to his peers and Grampfy Hatcher
to his sprawling descendants, was an immensely tall, cheerful man, and
much respected in the village. He was a railwayman for most of his life,
initially in the C&W shops at Templecombe Upper, and latterly a
porter. After retiring from the railway, he worked part-time on a local
pheasant farm, which cheered us grandchildren no end. Our father, we
were able to gleefully confide was a pheasant plucker's son.
Violet Louisa Maud Hatcher, nee Carpenter, a woman of unusual energy,
seems to have set about the task of amassing descendants with considerable
vigour, and notable success. Her six children all had children. These
in turn went forth and multiplied, and their children in turn continue
to come up with the goods. Unique among many, until her death at a venerable
age she sat, not unlike the Queen Mother, at the centre of a vast web
of family, with her cat - inevitably large, black, and contented - keeping
one eye on the 2.30 at Newmarket and the other on the next generation.
The railway came and has gone. The hospital closed and the village itself
is changed beyond all recognition. Only the gnomes in Gran's garden
were the same ones that so terrified my brother Colin nearly forty years
ago.
Father loved the railway, applying himself with skill and dedication
to all the tasks he was allotted. Starting in 1943, carrying heavy cans
of grease through the blackout, he rose to become an engineman, working
heavy freights and top link passenger trains over the difficult terrain
of the Somerset & Dorset. When 'the runaway train came down the
track,' we used to sing in school, 'she blew.' When the runaway train
came down the track out of the Mendips, as was frequently the case,
standard practice was not only to blow, but to hang on for dear life
until the train was eventually brought to a halt half a mile or so past
Evercreech Junction. On the footplate of a 7F, whose small driving wheels
were ideally suited to climbing steep gradients, these unorthodox descents
were hair-raising to a degree unimaginable in our modern age of fully
fitted air and vacuum brakes.
Likewise the narrow bore tunnels on the way up out of Bath. As the heavy
locomotive ground its way at walking pace into the burrow, the crew
would wrap scarves round their faces and lie on the floor as the exhaust
engulfed the entire train. These hazards, and others, were my father's
daily lot, until circumstances caused him to leave the railway in 1958.
Father was a public-spirited man, and possessed a sense of honour which,
shy of publicity, would break out in a spontaneous burst of generosity
when need arose. He was a volunteer ambulance man with the red cross
for many years, which gave rise to a dusty black telephone that lurked
on the window sill and occasionally shrieked in summons to an emergency.
Defying regulations from time to time, I would experimentally pick up
the receiver and listen to the deep humming silence. Telephones were
rare, unique instruments, otherwise, that lurked in red cubicles, steeped
in urine, with buttons marked A and B. Another mystery from Father's
public life was the itchy-looking black serge uniform that hung abandoned
in a cupboard upstairs. This pertained to something referred to as 'Sivelldy-Fence,'
about which I knew nothing, but which seems to have been some kind of
cold war militia. Where they went, and what they did I can't imagine.
The Civil Defence uniform - which included a black beret with a badge
that looked like one of Monty's - vanished some time before I became
fashion conscious and was able to claim it for my punk rock wardrobe.
Father was also a cricketer, a bowler of some guile who was able to
rise to any occasion and deliver whatever was necessary to dismiss each
errant batsman. Pace, spin, bodyline; all could be called on to order.
His first two sons were named after cricketers - my brother after Colin
Cowdrey, and myself after Gary Sobers. Some would have it that Gary
Player, the golfer, gave me my name, but I know better and will have
no truck with golf. Father had caps for the village teams of Templecombe
and Castle Cary. That he both spent fifteen years working on a real
railway, and played on the county ground at Taunton are achievements
and experiences that I cannot hope to equal. That he also played his
part in raising six unorthodox children is entirely due to the collaboration
of one Jocelyn Marjory Hatcher, nee Howard. My mother.
My parents were married in 1955. A photograph taken at the time shows
them at the window of the Atlantic Coast Express, embarking on honeymoon
to Brighton, in which they look like a couple of movie stars. Mother
is a young Judy Garland, while Father is something slick out of Pinewood
or Ealing. Father went a-courting on his bicycle, riding the nine miles
or so to Castle Cary to visit his fiancée and to drink with her
father, Albert Howard, in the White Hart. He would stay over, sharing
a bed with Albert, while the ladies would retire to the other bedroom
to lie trembling as the report of each fresh cider-fuelled fart shattered
the stillness of the night. A rapport seems to have been established
between the two men, spanning the gulf between not only two villages,
but also the rival railway companies whose lengthy pre-1948 shadows
they both worked under.
Mother tells us warm hearted stories of growing up in wartime England.
Of the cottage at the top of Woodcock Street where she lived with her
mother, father, sister Norma and half-sister Beryl; of the picture house
in the old town hall, where the family would send her as often as possible,
pooling their change to get her out of the house and leave them more
room around the fire. Mother was always willing, seeing 'Gone With The
Wind' seven nights on the trot and still going back for more. When the
village filled up with American soldiers in 1944, she purloined a lock
of her elder sister's hair, which she sold to the big black sergeant,
directing traffic across the nearby road junction, who kept it in his
breast pocket to my mother's secret amusement, and the red-headed Norma's
unwitting puzzlement, each time the soldier flashed her a smile.
Albert Howard, named for the Victorian prince consort, was so distinguished
as to die for his country. Both Castle Cary and Templecombe received
bomb hits during the war. Templecombe because of its strategic railway
yards, and Castle Cary because some German pilot, confused and unable
to find Bristol, decided to jettison his bomb load on the nearest important
looking target and head for home as fast as possible. This proved to
be Castle Cary station, which received direct hits upon its signalbox
and upon the goods shed, where Albert should have been earning his daily
bread. Legend has it that he was skiving at the time of the assault,
telling dirty jokes to the porters at the other end of the yard, and
was fortunate enough to witness his own demise from the shelter of a
coal wagon at a safe distance.
The harsh realities of war must have taken even longer than the dictates
of fashion to find its way into the tal des anhunglosen in which Somerset
sits serene. When the aeroplane flew in low over the town centre, the
excited children ran out into the streets to wave and cheer, unmindful
of either the pilot's wicked intentions, or the curses of the ARP warden
who shouted in vain for them to take cover beneath the nearest flight
of stairs. On hearing the news of Albert's assumed death, my mother
was so impressed that she rushed off to boast to her friends that her
dad had been killed by the Germans.
Far from falling victim to Nazi depredations, Albert Howard survived
into an eccentric old age, fortified by cider and the companionship
of the White Hart's public bar. Serving as a stoker in the Navy during
the first world war, he had gone on to become a cabinet maker, and then
to drive a lorry for the Great Western Railway, distributing animal
feed and other goods to the farms and factories in the area. During
holidays, my mother would often accompany him on his rounds, watching
with growing apprehension as he gratefully accepted the proffered jug
of cider at each point of call. Towards mid-afternoon, fully refreshed
and brimming with good will, he would sit his daughter between his knees
and make her steer the lumbering behemoth, white knuckled and terrified,
while he worked the pedals and roared with laughter. Mother never owned
to her terror, not wishing to spoil her father's fun, neither did she
subsequently make any attempt to learn to drive, but there was one aspect
of her father's character that seems to have left its mark and was doubtless
responsible for the pictures of Josef Stalin pinned in her desk alongside
the Hollywood greats.
Albert, a man of many interesting parts - most of which I find myself
in sympathy with - played the trombone, earned a lance corporal's stripe
in the local Home Guard, but was known chiefly as a man of solid socialist
principals. The still-feudal community of Castle Cary was shocked when
it learned that 'Albie Howard threw that Avalon's Don out of his house
with a piece of his mind.' Don was the owner of the Avalon furniture
factory to which Albert was, that day, supposed to be delivering a lorryload
of horsehair. Lunchtime arrived. Albert quite rightly drew stumps and
knocked off for his dinner, leaving the hairy cargo waiting in the street
outside. Don, who must have been the very image of a wicked Tory factory
owner to my grandfather's way of thinking, burst into the cottage and
wrathfully demanded to know why his delivery hadn't arrived.
"Get out of my house Don!" stormed Albert. "And don't
you ever dare enter my door uninvited again! Your stuff's out in my
lorry, and there it can 'bide 'til I've finished my dinner". Albert
had no time for rank or privilege. Whether or not Don ever got his revenge
I don't know, but in recent years the factory has closed, erasing the
name Avalon from the hearts and minds of all but the most callow newcomers
to the district, who labour under the illusion that Avalon is a mystic
vale, and Glastonbury more than just a funny lump on the horizon. Mother,
when questioned about Stalin's inscrutable presence - only discovered
to the horror of teaching staff when she had left both school and desk
behind - maintains that it was only his moustache that captured her
interest. We can be thankful that other prominent whiskers on the contemporaneous
political stage did not have a similar effect.
Albert Howard married Mabel Alice Sweet, known as Sis to her legion
of brothers. Sis was a scullery maid at the vicarage until the cook
dropped dead one day. Receiving promotion on the spot, the frightened
ten year old, in awe of her new responsibilities, and the prospect of
damnation for serving the vicar with undercooked vegetables, fled home
in tears, only to have her ears boxed by her mother, who sent her back
forthwith to discharge her duties.
My parents set up home, initially, in Templecombe, where they began
to raise a family. First to arrive was Beverley Anne, named after an
American tennis player who had had the good fortune to win the Wimbledon
title that year. Beverley was an athlete at school, and inherited our
parent's sense of justice. On becoming a prefect she shocked her peers
by refusing to indulge herself in the traditional senior pastimes of
blackmail and tormenting the meek and lowly. When Beverley left home
at sixteen to become a nurse at Yeovil hospital, I was still too young
to fully appreciate that we would all - theoretically - grow up one
day, and her departure left a void which may well have been responsible
for drawing my brother and I closer together.
This brother was Colin Ronald Hatcher, born, like his sister, at Templecombe
maternity hospital. Colin was bald as a coot for his first two years,
and possessed an unnaturally large head, which, to my mother's relief,
the rest of his body caught up with in time. Colin was the close companion
of my early years, and never tried to leave me out of anything, until
an early maturity led him astray, and he discovered girls. We shared
many common interests, birds and beasts, newts, and especially plastic
military hardware, which littered our bedroom and whose Humbrol paintjobs
bespattered everything in our path. The room we shared was almost entirely
filled by our two huge double beds, which formed a padded dojo floor
upon which we would wrestle, bounce, and play endless games of bedball.
The ceiling was invisible beneath a hanging cloud of Airfix aeroplanes
and the whole was as a shrine to the pointless fetishes of boyhood.
One ritual would mark our nightly passage to bed. Before retiring we
would have a competition to decide who should turn out the light and
get into bed in the dark, risking the wrath of mummies, vampires and
our old enemy, the Black Skeleton. Taking station either side of the
toilet bowl, we would pass water, and whoever sustained either the longest
or the most powerful jet, would win, and so be spared the ordeal of
darkness. Colin, by pulling rank, inevitably dictated which of these
categories was to decide the event, and always after we had finished,
so I was never able to clinch victory and invariably ended up running
the gauntlet. How or why I was spared, I do not know, but can only assume
that fate has something more dreadful up its sleeve for me than those
lurking demons. If this be so, I shall know where to turn, for my brother
has guarded and protected me all my life, and I choose to believe that
it is out of something more than the guilt he must feel after hurling
me nightly into the jaws of the Black Skeleton and his gang.
By the time I turned up Father had left the railway, and the family
had moved to Castle Cary, but I was born, unabridged and unappealing,
in my grandmother's house in Templecombe, the proximity of which to
the hospital provided my mother with a convenient private ward. Two
events marked my passing into this world. Firstly my mother's waters
broke with such surprising ferocity that the midwife was drenched and
the chimney breast so badly soaked that it required repapering. Secondly,
Beverley, who had set her heart on a baby sister (to be named Kimberley)
was so moved by the news of my arrival that she wet herself with rage,
and that was why the new world that I had carefully prepared to receive
me, with such a liberal sprinkling from the bath of birth, instead of
being fragrant with the sweet, comforting odour of the womb, was tainted
with the scent of warm knickers, drying on the fireguard below.
Back in Castle Cary, Beverley avenged my birth by assuring me that the
weather cock on the church steeple was imbued with supernatural powers,
and that it thirsted for my blood. Mother never did trace the source
of my nightmares, while Beverley was unjustly rewarded with two little
sisters, the first of whom, Patricia Helen, was born in Yeovil hospital
when I was four years old. Patsy, lacking my sophisticated pre-birth
preparations, came into the world with a protruding belly button, over
which Mother was obliged to tape a penny, until it had learned to stay
in place. Named after Pat Smyth, the show jumper, Patsy has a photograph
of herself chatting to Bruce Foxton, taken during a soundcheck at the
Royal Bath and West showground, when the band she was in supported the
Jam. Currently the mother of my godson, Patsy is the reason we must
all scour charity shops and market stalls in search of early editions
of Enid Blyton, whose works are her consuming passion.
There must have been a mix-up with identities, as Patsy failed to draw
the horsey gene that her namesake requires. This went instead to Lucy-Ann
- our own sweet Lucy - who in the same blunder was named after a character
from the books of Patsy's literary guru. In matters of horsiness, Lucy
was all that a little girl should be, riding, jumping, curry-combing,
and following in Albert Howard's footsteps after the local hunt, although
Albert always turned back at the end of the street once he'd filled
his bucket with horse shit for his roses. Thereafter her interest in
sugar and spice and all things nice ended. Somewhere along the line
she learned to kick like a mule and curse like a trooper. Sent home
from Ansford in disgrace one day for blackening the eye of an antagonist,
while disputing this individual's right to inflict torture upon the
lower orders, Lucy was in fear of our father's wrath - a seldom seen,
but long taken for granted, figment of our childhood imagination.
"How did you hit this girl?" our father inquired.
"Like this," replied Lucy, her clenched fist describing an
arc through the air.
"Well next time punch straight," he advised paternally. "You'll
do more damage."
Last in our line comes Jeremy Howard Martin, in whom the tradition of
multiple titles was revived thanks to Beverley, who was not content
with merely scrawling her boyfriend's name on a toilet wall, but chose
instead to enshrine it in sinful flesh. It could so easily have been
worse, a fact for which Jeremy has learned to be grateful.
My younger brother and I have travelled far in the pursuit of trains,
and one bright afternoon found us rattling across the Hungerford bridge
in a 4-EPB unit, inbound for Charing Cross. The sun glinted on the water
and struck motes from the towers and spires of London town. There, spread
out seemingly at our feet, was the whole glorious pageant of the capital's
history: the dome of St Paul's and the glass skyscrapers of the City
mile; the bloody tower and the traitor's gate; Tower Bridge, looming
over the wharves and stews of Southwark; and the majesty of the Thames
itself, leading down in a silver stripe to that ancient seat of democracy,
the houses of parliament, where noblest of all, tall and proud, stands
the most famous and venerable of London's landmarks. The tower of Big
Ben.
"Oh look," said Jeremy, "There's that clock."
There
was a hymn we sang in school.
All
things that live below the sky
Or move within the sea
Are creatures of the Lord most high
And brothers unto me
Actually,
to me they weren't brothers at all. They were fair game, to be picked
up, poked, molested, imprisoned in jamjars with nothing to eat but grass,
and generally annoyed. I was the would-be friend and witless foe of
all things that crept, crawled or swam, with a particular fondness for
freshwater aquatica. Newts at one time meant more to me than railway
engines, and I have personally overseen the failure to mature of more
larvae of more species than have yet been officially recorded. First
among my few successes were the omnipresent cabbage white butterflies,
whose ill-favoured young were dubbed 'jobby caterpillars,' as a tribute
to their incessant bowel movements. These ghastly creatures ran riot
across the local brassica and boasted a hardihood that defied even the
most terrible confinement.
A mile or so outside town lay the relics of Dimmer army camp, wherein
a battalion of Green Howards had spent the war, blissfully unaware of
Albert, the Red Howard, who occasionally stalked their perimeter in
search of rabbits. Colin and I searched these ruins for more exotic
fauna, in particular the large open cisterns in which all manner of
creatures bred, and which were particularly noted for the quality of
their newts. Many ingenious methods were devised for their further entrapment.
Nets extended with chimney-rods to penetrate further into the depths;
bridges were contrived and bottles hurled into the void to gather samples
of silt from the tank's bottom, which were then hauled up and their
contents examined under a microscope. While we busied ourselves in this
scientific fashion, our fellows would be dismembering their prey with
penknives. We would raise a disinterested eyebrow, mutter "Triturus
Vulgaris" and return to our lofty pursuits.
Birds were Colin's chief interest and much blood and sweat was expended
in pursuit of elusive breeds and unreachable nests. Many hours were
spent attempting to trap starlings under a wire basket, for no good
reason, and Big Chief I-Spy was kept abreast of the local wildfowl population
- one moorhen and the village swans, when these weren't dying from the
local youth's air gun pellets - with a constant stream of unanswered
correspondence.
How golden are the days of our childhood? How easy is it, looking back
at the long lost days of carefree youth, to forget what it was really
like at the time, what it really meant to be a child:, tossed on an
incomprehensible sea of other people's whims, and powerless to resist
the forces which hurled you backwards and forwards between the opposing
extremes of emotional experience; the twin houses of childhood; the
yin and the yang; the dark and the light; holidays and school......
The long hazy days of the summer break would unroll in a dusty cloud
of greens and browns, swallows and martins, and cool green weedy ponds.
Relaxed and unhurried at first, the weeks would gather pace until the
first nagging hints that autumn was drawing close would turn into the
shadow of the guillotine, and grow larger, deeper and darker, until
we would be called in one last time from the midge-spotted twilight
to take a bath, "because you've got to go to school tomorrow."
Thus it was that my childhood was divided into alternating little segments
of Laurie Lee - the warm drowsy timelessness of rural England in mid
August - and Franz Kafka - the village primary school, not bright enough
for Cider with Rosie, nor dark enough for Peake or Poe. Neither good
nor evil, but like the jumbled corridors of Kafka's disturbing imagination,
merely long-winded and difficult to understand. I was never in my element
at school. I wasn't a brilliant scholar, neither was I a dunce, but
it was this very mediocrity that made of the whole experience a gigantic
intermission, a place outside of time in which I had to sit and wait,
yawning with boredom, or fidgeting with feverish itchiness, until all
the sand had passed through the hourglass, until all petty obstacles
had been surmounted, and all the pointless tasks carried out.
Little bits of Franz. Nothing and nowhere smells like school. A unique
mixture of chalk, wax, sweat, pencils and naked fear. Walking, a free
man, through school premises two decades later, the same smell evokes
the same nameless dread of the unknown. Of sudden unexpected reprimands,
unreasonable expectations and strange punishments from the omnipotent
authorities, and the sly hidden cruelties that have to be tolerated,
day to day, from the enemy within. No other smell can evoke such powerful
dread, awaken such restless, unavenged memories, or such sickening relief
in the knowledge that tomorrow and forever, I do not have to go to school.
Little bits of Laurie. In the rising of the sun, the running of the
deer, and the playing of the merry organ, sweet singing in the choir.
Little bits of Franz. Hymn practice on Friday mornings. For one hour
every week, the top three classes at the village primary school would
be obliged to remain behind after morning assembly and learn the hymns
that were to be sung the following week. To the brash accompaniment
of Mr Rice, bulldog-jowled, pounding the school piano in his inevitable
crimson sleeveless cardigan, we would wheeze and groan our way through
verse after verse of paen and praise, alternatively beseeching our Redeemer
for further favours, or thanking the Maker for all his bounty. The boys,
without exception, droned like hungover jackdaws, while the girls sang
like angels. I still remember all those hymns, many of them triumphantly
beautiful, others intolerably wretched. Thine arm o Lord in days of
old was a stately dirge, Soldiers of Christ arise, and Stand up stand
up for Jesus were stirring enough to strike a spark from even the dullest
clod in class six, while In our work and in our play was just a tuneless
sycophantic drone that I'm sure must have grated upon the ears of our
patient Saviour nearly as much as it did on mine.
Anything too full of meekness and mildness filled me with revulsion,
and references to some mysterious entity known as The Lamb disgusted
me in particular. Having only the sketchiest knowledge of religious
matters, the constant arrival of new characters in the hymnal only made
things worse: the Lamb; the Holy Ghost; the Redeemer King; the Holy
Virgin - to our uneducated minds, these names meant nothing. Many of
the words we'd never even heard before, and thus on being required to
sing All glory laud and honour to thee redeemer King. To whom the lips
of children made sweet hosannas ring, we could only wonder, as we articulated
the required sounds, who on earth Hosanna was, and why he had a ring.
'Laud' we had no idea about whatsoever, but when In the beauty of the
lilies Christ was borne across the sea, we were delighted to learn that
it was With a glory in his bosom that transfigured you and me. 'Bosom'
was a word we had vague notions about, and excited considerably more
interest in our youthful breasts.
If we, as children, had any vested interest in the intervention of the
'guardian hand to protect us from anything, then it was from the ready
wrath of Mr Rice, rather than the machinations of Beelzebub. As the
senior member of staff, and a fixture of the school more permanent,
it seemed, than the foundations themselves, he commanded a respect not
unadjacent to terror from those who had the misfortune to fall foul
of him. Though doubtless a fair man and a fine teacher, this was not
apparent to any unruly brute caught talking in the back row, who would
be swiftly and terribly sentenced to sing a halting embarrassed solo
to the morbid, dumbstruck amusement of the rest of the choir. Mr Rice
tackled the piano with gusto, and the fervour with which he hammered
out the introduction to Hills of the North rejoice never failed to raise
a secret smile.
One of the few opportunities to redress the balance came whenever we
rehearsed When a knight won his spurs.
Though
back into storyland giants have fled
And the knights are no more and the dragons are dead
Mr
Rice would rage at our pronunciation. "DraGONs", he would
roar, "DraGONs - there is no such word as "DraGINs! DraGONs!
DraGONs!" To which a hundred or so youthful throats would rejoin:
Though
back into storyland giants have fled
And the knights are no more and the draGONs are dead.
Little
bits of Laurie. We ploughed the fields and scattered the good seed on
the land.
Little
bits of Franz. Once a year we would be required to bring a tin of beans
or a cauliflower to school for something called Harvest Festival. No
one ever bothered to explain why - perhaps they assumed the church calendar
had been mapped out in our hearts from birth. Perhaps they thought our
parents would explain, or perhaps they didn't know themselves. We never
bothered to ask why. We didn't care, having very little curiosity beyond
the need to know how Batman and Robin would escape from their latest
tribulations, or whether or not Captain Scarlet was going to snog Rhapsody
Angel. As far as we were concerned, the farmers could take care of themselves.
Likewise the fishermen, who, we were annually reminded, were at sea
in something called 'peril,' which I imagined to be some kind of a boat.
Little bits of Franz, little bits of Laurie. Sometimes even little bits
of Torquemada. The apparatus - that strange and terrible collection
of fold-away gymnastic equipment, consisting of bars and benches upon
which hapless children were stretched and hung, and then compelled to
pack away after each tortured session. The very name belongs in the
realm of gothic horror, along with the strappado and the oubliette.
No dentist, coaxing an unwilling child into his chair, could conjure
up such visions of trauma and torment as that word implies.
But it's a word that belongs exclusively to primary school. Apparatus
for the over twelves become bars and beams, just as P.E. becomes games,
and sums become mathematics. One day apparatus will become accepted
as an Olympic sport. The Russians will cheat, Ireland will win the gold
medal, and the Americans will be disqualified for putting it away incorrectly.
Be that as it may, I survived both the apparatus and the beastly dufflecoat,
seemingly fashioned from solid timbers, that I was occasionally forced
to wear, and went on to my secondary education, full of on the one hand
hope and excitement at the prospect of new surroundings, and on the
other, dread at the thought of being dropped back in at the bottom of
the pile. Terror stalked the future, but it was a terror that could
be put aside for a few weeks. The summer holiday began again, and with
it life was renewed, the corridors of Franz's castle temporarily left
behind.
Sexey's
grammar school, Bruton, a motley collection of buildings old and new,
was founded before the ark by one Hugh Sexey, who should have had more
sense than to have built his school on a road named Lusty Hill, a fact
that was keen ammunition in the hands of our detractors, and once caused
a ripple of amusement round the back benches when the House's attention
was drawn to a party of its pupils in the visitor's gallery. Bruton,
famous in folksong for the misfortunes of a farmer's daughter (now there's
a surprise), consists of six schools, several old people's homes, a
golf course, and a handful of tumble-down properties that house those
neither on the threshold of life, nor yet in their dotage. Uncharitable
though it may seem to apply the word 'dump' to a town of historic beauty,
that boasts not only one of the most magnificent Anglican churches in
East Somerset, but also a street named Plox, this was the impression
one received from the school bus, as it made its way homeward via the
spiralling one-way system that provided a daily grand tour of all the
town's finest and most durable landmarks.
Bruton takes its name from the river Brue, which modest body of water
has somehow carved a deep valley through the hills immediately to the
North of Sexey's school, giving that establishment a fine view of the
railway line that follows its course, and a cross-country route that
would tax the efforts of the Royal Marines, blessed as it is with enough
gradients, fords and tributary ditches to please the most bloody-minded
games master. The Brue is probably the only thing ever to have made
an impression on Bruton, apart from Hugh Sexey, whose alleged philanthropy
and cash didn't run out on Lusty Hill, but spread its bounty about the
town in a series of hospices and public works.
Sexey's was proud of its tradition, and cherished pretensions accordingly.
Gowned masters stalked its precincts, and on special occasions even
the odd mortarboard would pop up. One third of the pupils were boarders,
who initially formed one of three houses, named East, West and Cliff.
It only took about three hundred years for the powers that be to realise
that the boarders of Cliff House, with nothing better to do of an evening
than to transform themselves into athletic supermen, inevitably won
all the inter-house sporting trophies, making a mockery of competition.
Only after they had won the quaintly titled Bint Shield for the fortieth
year running did reform take place. Of the boarders after-school activities,
beyond pack-drill and the lash, I know nothing. They remained, on the
whole, aloof, and the dark rumours of terrible rituals involving sheep's
skulls and chocolate digestives were doubtless put about by those jealous
of their sporting prowess. Of the long-contested Bint shield, I only
know that it was presented in the dark ages by the Bint family, which
has had sons in the boarding house as long as it has existed. My own
family boasted a similar reputation at Castle Cary County Primary. On
the morning of his last day there, brother Jeremy, youngest scion of
the house of Hatcher, was named in school assembly and called to the
fore. Expecting some dreadful exposure and dire punishment - "I
was shitting myself," he later recalled - he trudged the length
of the hall and waited for the axe to drop.
"For twenty-five years", the headmaster informed the breathless
assembly, "there has been a Hatcher at this school. Today marks
the passing of an era." Jeremy's sphincter relaxed, to thunderous
applause.
To my satisfaction I am able to boast of a classical education, although
only just, and precious little of it has stuck. For two years I laboured
at Latin, in an ancient tiered classroom called The Classic's Room,
under the Reverend Barker, a delightful man, as ready to discuss model
railways or tell ghost stories as he was to enlarge upon the unfathomable
mysteries of the ablative. I soon discovered that I had no gift for
tongues, and the mysteries of a language that had no definite article,
and in which one was expected to address a table in the vocative case
- Table! O Table! - were too deep for me.
Older than the Reverend Barker himself, were the Latin textbooks. The
approach to Latin was a title that lent itself readily to modification.
Fully 80% of these scholarly tomes, having passed down from year to
tear, class to class, and Bint to Bint, were now called The approach
to Eating, victims of the listless biros of generations of bored pueri.
After two years spent establishing the fact that 'Sextus is a boy',
I gave up Latin and took up Ancient History and German. German confounded
me, and still does, but Ancient History got off to a flying start. First
up were the Punic wars, and the absolute trashing of Hannibal and the
Carthaginians by Scipio and his cohorts. "What ho! This is good
stuff!" we told ourselves, and plunged gleefully into accounts
of the Gracchus brothers and their murder and lynching at the hands
of the mob. "Hurrah!" we cheered as Tiberias was dragged through
the streets of Rome on a hook. Our bloodlust led us through the depredations
of Marius and Sulla, with tales of proscription lists, slaves fed to
the lamprey, and sinful vestals buried alive. Triumvirates and Caesars
we lapped up, and all would have been well, and the O-level as good
as in the bag if we hadn't, with two years of the course to go, come
up against Cicero, which blasted pedant crushed our youthful spirits
with his reams of oratory and caused our wrists to cramp with the weight
of dictation. I lost interest and failed the O-level utterly.
For my first four years, Sexey's remained a boys school. Girls we saw
on the bus each morning and evening, and in great swarms when we drooped
them off at Sunny Hill, our sister establishment on the outskirts of
Bruton. Sexey's went co-educational during my final year, and treated
we nerds to the amusing spectacle of our more image-conscious peers
endeavouring to impress the influx of eleven year olds with their sporting
prowess.
In this all male environment you had to watch your step. Any behaviour
that even hinted at homosexuality would be ruthlessly crushed, as I
discovered during my first week. My fellow traveller from Castle Cary,
and I, being friends of six years and finding ourselves washed up together
on this alien shore, naturally stuck together, to the extent of linking
arms in public - an act of subconscious fellowship that we would never
have imagined could be construed as anything else, and I don't remember
even being aware that we were doing it. This, we were quickly advised,
would simply not do, and never touched each other again. Almost every
form had its alleged 'Homo' who would be taunted and persecuted mercilessly,
sometimes on the flimsiest of pretences. Until my brother subjected
me to Tom Robinson playing Glad to be Gay on London Weekend Television
during one of my treasured visits, I was much to the fore in this abuse.
Thereafter I took to wearing a badge featuring two interlinked Virgoan
symbols and the legend 'I am not heterosexual,' which confounded my
enemies and caused me no end of amusement. No one ever questioned me
about it, not even the headmaster, who by this time had lost all interest
in my redemption. Wearing a badge was not against school regulations.
If badges were optional, then uniforms were not, and the all-black sexian
livery hung on our motley frames like the draggled plumage of a bunch
of sad crows, amongst whom the tweed-clad and begowned masters strode
like pompous old herons, stooping occasionally to honk at the squabbling
horde around their feet. I liked my uniform. The black went very well
with the red and gold two-headed eagle on the breast pocket. I wore
mine with skintight drainpipes, a waistcoat and spats. Cap and short
trousers were permitted, but no one but the very daring would have risked
such items - the school cap, which my brother wore with such dash, was
absolutely revolting. More to my taste were the school football socks
of red, black and gold, which I wear to this day, considering them more
agreeable than the old school tie, which is unimaginative. Once a term
we would have a 'mufti day', on which for a fee of 5p we were allowed
to wear our own sad clothing, instead of uniforms. Before my fall into
fashioaility I decided this was a counter-revolutionary sop, and remained
in black while my colleagues paraded in a pathetic collection of flared
jeans and tank-tops. Fat Bob, one of the better things that happened
to me at Sexey's, amazed and enthralled us all, on one such occasion,
by coming in a kilt, which derring-do earned him great plaudits from
the deviants, but scorn from the bloods, who had traded in their individuality
for an ability to dribble. Sometimes with a ball.
Previously I had worn a uniform during my brief spell in the Cubscouts,
which pointless body I left in disgust, after missing Batman too many
weeks on the trot to play stupid games. I wanted to track deer and light
fires and was indignant at being treated like a kid. I also spent a
year or so in the Army Cadets, having for many years, up until my total
seduction by the railway, a desire to join the army. Being too small
to hold a Lee Enfield, the barrel of which tickled my earlobe when held
at attention, I was usually excused weapons training, but my map-reading,
and general ability to approach field problems with common sense, enabled
me to pass the part one examination at Yoxter barracks, and gain, at
four feet eight and a half inches, the exalted rank of Senior Cadet.
This meant that Staff Sergeant Whitchurch, who was my hero, would sometimes
invite me to drill the squad, which in the informal atmosphere that
prevailed among the other ranks of the Castle Cary platoon of the Somerset
Light Infantry (ACF) went thus:
ME: "Squad! Fall in! Dress off from the right, from the right NUMBER!"
SQUAD: "Yerr fuck off tiddler, we're having a fag."
Little bits of Franz. The cubicles in the school toilets, where you
could not sit without older boys peering over to jeer and flick cigarette
butts at you. If nothing else, Sexey's taught me to control my bowel
movements.
Little bits of Laurie. The Elm Field in summer. The crack of willow
on leather to which we remained oblivious, strategically fielding on
the boundary in order to keep an eye on the trains passing in the valley
below.
Little bits of Franz and Laurie, fading now into indistinct shades of
each other. Memories become jumbled into a flat sea of tranquillity,
where only a few jagged black reefs show above the surface to mark unerasable
slights, shame and humiliations. Torn from assembly one morning by a
summons to the headmaster's office, I waited in the ante room in terror:
"I am not guilty," said K. "Its a misunderstanding. And
if it comes to that, how can any man be called guilty?"
But I survived both The Trial and The Castle. I underwent my own metamorphosis,
and in the end, without a backward glance, I walked out one midsummer
morning.
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