Episode
Twenty One
Goodbye
to the rose and to the taverns then farewell
And HVC and Kenning go to hell
January
10th 2003 will remain enshrined in our hearts for a long time, as
it was the day we said farewell to the horrors of van hire - for a
few months at least. Goodbye then, we said, to the sleek fleet-footed
transits of HVC, to the surly incompetence of that place in the town
centre whose name eludes me (Budget – Ed), and to the broken-winded
screws of Kenning Van Hire, whose Peugeot wheelbarrows so frequently
failed to make it up steep hills without groans of protest.
Groans of protest were still heard from TDL, however, on this auspicious
occasion, as the ridiculous distance involved meant the Harrogate
contingent had to be up at dawn to plod the length of the country.
Once again it was a one-off on the South Coast with an unsympathetic
deadline to have the hire van back the following day. Damn their eyes.
Still, it was with a light heart, in the end, that he fell asleep
and snored all the way to Kettering, where a successful rendezvous
with the chaps was completed. There is nothing else of significance
to say about this trip, except that it was extremely long, and took
Blyth Power to Talking Heads in Southampton and back, by the end of
which Annie was ready for bed.
Not strictly a Blythwatch event, but worthy of note as it introduces
the fine grey vehicle in which the band currently travels, is the
weekend of Saturday 18th, when Mr. Porter had a one-off solo event
in Canterbury, which isn't quite as far as Southampton, but provided
an opportunity for Annie and Joseph to meet in London Town and collect
the machine.

This involved a fair old bit of gallivanting round in buses (boo!)
and trains (hurrah!) but wound up with the northern twosome dining
with Lady Rutland and company on the Sunday. Here's the deal: suddenly
finding herself with a spare Transit van on her hands until the end
of November, Her Ladyship phoned up and asked if we could make use
of it. "Rather," was the response. So now it is taxed, insured,
and accoutered from the tip of the lovely orange flashing light on
the roof, to the elegant grey curve of its supple wheel arches. It
is an ex-BT machine of tender years, and will be our constant companion
until the end of November.
The recording angel would like to take this opportunity to thank Her
Ladyship and all her kin for this rather extravagant munificence.
No longer will we have to race the clock from Devon or Hampshire back
to North Yorkshire on a Saturday night in order to return one of HVC's
contraptions. Now, all of a sudden, there is all the time in the world
to dawdle and go trainspotting on the way back.
The grey wonder cruised back to Harrogate on a thimbleful of diesel,
and the transport department began to plot and plan the next move...

Which was, of course, to Sheffield on February 2nd, wherein the band
had been invited to support Mr John Otway and his Big Band at the
Boardwalk.
This was a double treat for our chums, as not only did they get to
see the big band in action, always a bonus, but they also got to lie
in bed watching Hollyoaks all day, as no one had to get up and collect
a hire van. Oh how painlessly simple it was to draw the grey wonder
up to the front of the house and fill it with the shabby boxes that
constitute the band's back line.
Sheffield
was reached in good time, and the Southern contingent appeared shortly
afterwards. Following the most painless soundcheck in decades, we
were feted with spaghetti bolognaise and played in the armchair comfort
of the boardwalk's sound system. Blyth rocked. Otway and co. rocked,
and even some dour young men from Sheffield were seen to oscillate
a toe or two in time to the beat.
Phase two in the great van ownership scheme kicked off on the evening
of Wednesday 5th. Joseph and Annie made a heroic dash to Norwich -
a positioning move that enabled the van to go into BREL Norton-Sub-Course
for re-fitting. Which is to say the addition of a fine row of seats
in the back to conform to all kinds of tedious legislation, and pander
to the comfort of those idle members of the band who do not possess
driving licenses.

This
seat-fitting was accomplished with the aid of Mr Gary Snowdon, whose
intimate knowledge of the Norfolk scrap yard scene, combined with
some shrewd bargaining allowed us to get away with a three seat bench,
with integral seatbelts for little more than the price of a 1/48th
scale Tamiya Swordfish. That he then, assisted by Steven, in installing
the things was an act of charity that will merit continued liquid
repayment for the foreseeable future.

Thus was Thursday profitably spent in the wilds of Norfolk. TDL was
happy as he got to watch Discovery Wings all night while the others
went down the pub and celebrated.

Friday
dawned. It was inevitable really. Surprisingly - for a day on which
the band had to go to Matlock Bath - it was sunny and bright. This
was all well and good for the morning, as TDL hi-jacked the van to
go to Hannants warehouse in Oulton Broad. Thereafter the van sped
westwards to the usual rendezvous in Ketters, from whence the chaps
were able to sample the delights of the newly fixed seating for the
first time. Present among their number was Mr Porter's train-driving
brother, Jeremy, who had opted to leave his sprinters behind for the
weekend to come and catch his death in a draughty transit. From the
crumple-zone of a 153 set to our fine new coach seats. Brother Jeremy
knows how to live it up.
If anyone (apart from us) actually does any promotion for gigs at
the Fishpond in Matlock Bath, then it is certainly not in this country.
Possibly not even on this planet. Sage heads had warned us in advance
but eager to avoid the misery of meeting up for a one-off, the besuited
avaricious agent had booked it in for a modest guarantee. This was
supplemented on arrival by a couple of baskets of chips which the
canny Porter made sure we weren't going to be charged for later. You
can never be sure at English venues...

Now, we know from distant past experience that people can be induced
to come to this venue. On this occasion, alas, it was only a raid
by the local beadles on the nightclub over the road that found the
ground floor of the fishpond, and the street outside, swarming with
under-dressed young ladies and surly teenaged gentlemen. Mr Porter
was most impressed to find that the adjacent newsagent stocked a limited
supply of Airfix kits, but beyond that no one was impressed with Matlock
Bath at all on the night. Thanks to Aston, mind you, for the Escape
from Colditz board game, which has proved nothing more nor less than
a hoot.
And lo the six-seater grey beast hauled us back to stay with chums
in an adjacent burg, from whence we set forth early next afternoon
to allow the trainspotting contingent of the band to take a wander
round the premises of the Peak Forest Railway, where Jeremy and Joseph
encountered a couple of old friends from their days of bunking round
Old Oak Common. The intrepid spotters happened upon an 03. "Can
you identify this shunter for me?" asked The Dear Leader.
"That's 03119," he was informed by a man in overalls. "Would
you like to make a donation to the cost of getting it up here?"
"Certainly," our hero lied, scuttling off towards the exit
behind rows of wagons, the loose change jingling in his laden pockets.

Then it was on to the Musician in Leicester, which is one of the more
pleasant venues to wind up at.

A
support set was provided by Mr Wob Williams, whom some of you will
know, and the whole event was perfectly splendid. Even Jessi Adams
was there which was an ace laugh, as wherever he goes, there follows
the epicentre of fun.
Episode
Twenty Two
Where
Blyth in transit grey
In northern towns make merry holiday
As
if being given a van wasn't enough, the Old Man still awoke on the
morning of Feb 21st expecting birthday presents. He certainly had
no business doing so. It's not like being 41 is any kind of personal
achievement. Lord knows it only happened to him by accident, so the
Gods wisely chose instead of showering him with gifts and benedictions,
to send him to Blackburn instead.
The North Bar in Blackburn saw the return of Blyth Power to that Northern
fastness after an absence of some years. Support was provided by local
chaps Pike, who turned out not only to be good eggs, but also a good
band as well - and they knew what they were doing which, you will
see, as this narrative unfolds, is not always the case.
Oh the delights of a short journey back to base camp after the show.
Oh the delights of not having to get up the next day, as we only had
to travel as far as Hull, and oh the delights of rehearsing in the
early afternoon for the impending Castle Cary re-recording, during
which TDL found himself singing Knights on Malta for the first time
since it was originally recorded.
If Blackburn had been a pleasure and a jolly lark, then Hull should
have been an exercise in ease and leisure, being as how the venue
was spacious, airy, pleasant, and free to get in. Moriarty’s
it was called, in Baker Street, and represented a change from the
traditional surroundings of the Adelphi. It should have been easy.
Unfortunately there was the support band.

Ever get that sinking feeling when you know you are about to deal
with people whom you would rather let alone? First indications of
impending doom came when one of the band - whom we here re-christen
Ten Resounding Farts in order to preserve their anonymity - phoned
up to ask about sharing back-line equipment. "Are you signed?"
the fool asked.
Now, back in the dark days, when we used to audition incoming band
members, this was one of the questions we were frequently asked by
young hopefuls seeking a career in rock. The other was "Do you
have a deal?" None of these people received a hearing, and TDL
was frequently moved to soliloquy at their naivety. Still, one has
to assume that youth and inexperience can be overcome in a live situation
by a bit of common sense and co-operation. Not so. Blyth was soundchecked
and reclining with coffee by half past six. Ten Resounding Farts were
only finally assembled in one place at about twenty to nine. Then
we had to soundcheck them through the fabulous Blyth/Forrester PA
gear. "Does that mic stand bend down?" one of TRF asked
our glorious leader, as he crawled among the ever growing pile of
drums adorning the small stage with reefs of cable in his hands.
"Yes," he replied patiently. "It's what is known as
a boom stand. That piece there adjusts through a horizontal axis,
and can be moved into a bewildering variety of different positions
simply by pivoting it here, and securing it with this conspicuous
lever here. Similarly, by twisting here, vertical adjustments can
be made thanks to the clever telescopic design of the prototype. This
clip here, which holds the microphone, can also be pivoted through
a wide arc."
"Can you turn up my guitar?" asked the guitarist.
"I can," replied Porter
"Can you turn up my guitar?" asked the guitarist.
"I am," Porter assured him.
"Can you turn up my guitar?" asked the guitarist."
"I have," Porter pointed out. "Three times."
"Can you turn up my guitar?" asked the guitarist."
"Nothing would be simpler." Porter edged the knob a fraction
further in a clockwise direction.
"Can you turn up my guitar?" asked the guitarist.
Eventually the guitarist was satisfied with being sufficiently too
loud, and the band were able to continue with their set. Give or take
the odd trip by Mr P. onto the stage to turn up the guitar, all went
well until the other guitarist broke a string.
"Can I borrow your acoustic," he asked. "I don't have
any spare strings with me." Benevolently Steven loaned him the
box, at which point the complexity of the strap baffled him so much
that he was obliged to finish the set sitting down. This was not helped
by his discovery that the other mic stands also bent down, thus enabling
him to direct one straight into one of those areas of space that exist
in the ether, in the vicinity of monitors and the like, that causes
maximum feedback.
"Stand up," we advised him. "Then the mic won't feed
back." But it was not to be. TRF finished their set amidst groans
of feedback, and the even louder groans of Blyth Power, who lost no
time in getting on stage as quickly as possible when the debacle ended.
Now, we are not uncharitable, and might have be prepared to accept
TRFs inexpertise as simple inexperience had one of them not said,
in slightly hurt tones, "I don't think your PA is quite up to
a band like us."
How no one was punched is a miracle.

By
comparison, the Sunday night in Ashton Under Lyne was a relaxed and
pleasant interlude. Te were two excellent support bands, neither of
whom fannied about. Everything ran on schedule - except the Hoegaartenn,
which I’m informed ran out early – and the weekend was
finished on a pleasant note thanks to the immense competence of the
engineer, and the quality of the venue's sound system.
We don't mean to be unkind to TRF, but they did take the piss. Getting
to the venue in time to soundcheck is a good idea, and not slagging
off equipment that you are borrowing is common courtesy, especially
when any troubles you have with it are due to your own shortcomings.
Here endeth the lesson.
It was not a long week. The chaps went home on Sunday after the gig,
and were back up on the following Thursday for the band's first foray
into Scunthorpe for what seems like a age. Tanks to Darren for sorting
he event, at the Crosby Hotel. Imagine our surprise when we realised
we had played there before after all. Old acquaintances turned up
to reminisce about Hessian underpants, and in spite of it being a
cold grim day, we managed to have fun in the industrial garden town.
I seem to remember the band having hysterics all the way home over
some complicated folk-song in-joke involving words ending in a gratuitous
'O', but I didn't quite get what it was all about, and was obliged
to nod my head and grin as if I understood.
The date at Newcastle’s Tut 'n' Shive on the Friday was memorable
only for the quality of the chip shop we discovered afterwards, which
seemed to be freely advertising drugs for sale behind the counter.
Thanks to those who penetrated the veil of secrecy surrounding this
one, and congratulations to the venue on failing to put any of the
posters up at all.
Saturday found the band back in Lincoln, where a succession of support
bands had pulled out, only to be replaced at the last by the magnificent
Doncaster duo The Squirrel Hunters, who did that thing of being funny
without being simply annoying, an accomplishment so far exclusive
to Eastfield in our experience, who manage to balance things quite
nicely. Even though Jessi does have a stupendously large nose.
Nothing really happened in Lincoln that hadn't happened before, and
likewise The New Roscoe in Leeds the following day, although the atmosphere
at this Sunday night hotspot was not unlike a morgue....
Thus we retired to bed, and Mr Porter took up his axe and began to
prepare for his spring tour. See you in April.