Preparing for Blyth Power
.
News
Forthcoming Gigs
Blyth Watch
Mailouts
The Blyth Power Ashes
Joseph Porter
Gig History
Photos
Lyrics
Genesis To Revolution
Bricklayer's Arms
Merchandise
Sound Samples
Family Tree 
Discography
Reviews
Links 
Mad Dogs and Englishmen

Blyth Power P.O. Box 255 Harrogate HG1 5ZL
Tel: 01423 552342
Mobile: 07901 898473
E-mail: Blyth Power

With their twenty fifth anniversary fast approaching, Blyth Power remains one of the most original and innovative bands around. Formed in late 1983 by singer/drummer Joseph Porter, one of the prime features about the band is their all-consuming individuality. They have a strikingly identifiable and personalised sound built basically around Joseph’s epic songs, with their colourful personnel, exotic story-lines and crashing, impassioned choruses.
What does the band sound like? How long is a piece of string? With a catalogue of 130 original compositions to choose from, the band are able to adapt their set to suit their surroundings. With a whole range of both acoustic and electric songs, Blyth Power can settle comfortably into the tidy seated arena of an art centre and discuss matters on intimate terms, with precision and definition. Just as easily they can select a programme of up-tempo numbers to get the dancers tumbling over each other in a smelly rock-club basement, or reeling in a wet Marquee after a long day at the cider tent. Present to all humours and any occasion, ‘they change a visor swifter than a thought.’ There is no fixed set of songs. Each audience is presented with a tailor made selection that can vary from the gentle acoustic arpeggios of Burning Joan to the full-on punk rock assault of songs like Carlisle and Sometimes I Wonder. There is everything in between as well, and it is with a sly sense of mischief that the band will take delight in taunting the least folk-oriented crowd with the sound of accordions, or slipping in a raucous anthem to enliven the atmosphere of a balmy country fayre.

But overriding everything is the breadth and content of the lyrics, which Mr Porter claims are his first love, and his most cherished care. Irony and subtext mingle with plain-speaking and historical metaphor in brilliant tapestry of colour and irreverent speculation. Will Charles succeed to the throne? Will politicians ever keep their pants on? Why was Mary Tudor so uncouth as to burn total strangers, and will the legacy of sweat and boredom left in the desert by the Templar Knights be rekindled in the Kevlar helmets and SA80s of the modern armies bound for Baghdad? Anyone can make music, but not everyone can find the time to make every word count for a dozen, or to unravel the intricacies of human fallibility with a perception that rarely falls short of sympathetic.

TOP OF PAGE